CFP: From an Intercultural Crossover to a Transcultural Phenomenon (Cologne, Germany; deadline August 31)

Sorry for the late notice, but I only just learned of this conference...

From an Intercultural Crossover
to a Transcultural Phenomenon:
Manga, Comic, Graphic Novel
September 30 – October 2, 2010
International Conference at the Cultural Institute of Japan, Cologne
(Japanisches Kulturinstitut Köln, The Japan Foundation)
in cooperation with CITS
(Center for Inter- & Transcultural Studies, University of Cologne)

Manga, comics and graphic novels are shaped by different cultural codes and shifting visual and narrative conventions. This conference focuses on the historical development and theoretical aspects of comics and manga by stressing their mutual influences. Whereas European and North American art and popular culture exert a great impact on Japanese manga, such as the Franco-Belgian tradition of “ligne claire” on Ōtomo Katsuhiro and Taniguchi Jirō, Walt Disney’s animated films on Tezuka Ōsamu and Christian and Antique ideas on Miyazaki Hayao, Japanese manga influence the concept and visual conventions of modern European and American comics as well, as can be seen in the work by Frédéric Boilet, Moebius, and Frank Miller, among others. Moreover, the intercultural exchange between the Japanese manga tradition and equivalent forms of sequential art in other Asian countries (i.e. China, India, and Korea) largely contributes to the dissemination of new hybrid art forms in the realm of comics and manga.

The purpose of this conference is to bring together scholars and other experts of different countries and different fields, i.e. literary studies, picture theory, cultural studies, linguistics, narratology, film studies, and semiotics, who pursue different areas of investigation in this field. In order to adhere to a general outline for this conference, the papers might deal with one or several of the following topics:

• Intermedial, intercultural and narrative perspectives for the interpretation of the graphic novel and other genres of sequential art prominent in both comics and manga
• Comparative analysis of the construction of time and setting in comics and manga
• The functions of color in comics and manga
• Similarities and differences between Japanese and other Asian manga and European and North American comics
• Impact of wordless comics and manga
• Historical development of the mutual influence of comics and manga
• Change of the conventional verbal signs (such as speech balloons, sound effects, typography)
• Influence of films and cinematic style on the production of comics and manga
• Influence of visual codes derived from art history and popular culture in order to create an individual artistic style

Contributions from academics and experts interested in any of these areas and in international perspectives are particularly welcome. There are plans to publishing the proceedings of the conference afterwards in book form.

The deadline for proposals is: 31 August 2009.

Please email a 300 word abstract (for a thirty minute paper, followed by 15 minutes for discussion) and a short biography as an attached word document to Bettina Kümmerling-Meibauer at: bettina.kuemmerling@t-online.de and Franziska Ehmcke at: amm07@uni-koeln.de

Notification of the acceptance of proposals will be made by 30 September 2009.

The conference fee will be 120 Euro, including catering, technical equipment, conference folders and various arrangements.

The conference venue is located in the Cultural Institute of Japan, not far from the University of Cologne. For details, go to www.jki.de (text in German and Japanese).

Image Credit: Cultural Institute of Japan website.

Asian American ComiCon: July 11, 2009, Museum of Chinese in America, NY

I nearly forgot about this upcoming event until I saw Larry Hama mention it on Facebook. He didn't mention that he was winning the Kiyama award, though. Congratulations, Larry! I first learned of the event at MoCCA Art Fest '09, when Charles Hatfield I had a great conversation with (and bought cool comics from!) Ken Wong. Ken's only one of the many cartoonists with stories in Secret Identities: The Asian American Superhero Anthology.

Here's some information about the Con, which looks to have a very interesting, widely varied line-up of panels. But for full info, be sure to visit the Asian American ComiCon website.

Asian American ComiCon
The Museum of Chinese in America
215 Centre Street, New York, NY
July 11, 2009, 10 am to 5pm

As artists, editors, writers and fans, Asian Americans have been a key creative force behind the graphical storytelling movement.

That's why some of the industry's leading Asian American creators have collaborated to organize this celebration of the unique contemporary role and historical legacy of Asians in the world of comics and cartoon art.

The event will bring together top artists, writers, fans and readers of mainstream and alternative graphic fiction with the larger Asian American community for a one-of-a-kind gathering, incorporating education, dialogue, spontaneous creativity, intergenerational outreach and the chance for established and emerging talent to show off their work.
WHY THE KIYAMA AWARD?
The organizers of AACC want this annual award to recognize the contribution of Asian and Asian Americans to U.S. comic book culture. No one better exemplifies that contribution than Henry Yoshitaka Kiyama, whose career represented the convergence of two worlds and industries, and whose work pointed the way to the future of graphic storytelling.

Kiyama published his breakthrough book The Four Immigrants in 1931. A poignant collection of cartoon stories about life as a Japanese student expatriate in the U.S. in San Francisco during the early part of the 20th century, it explores the issues these early immigrants faced in a world whose language, culture and traditions are new, strange and confusing.

Though the stories were originally intended for newspaper serialization, Kiyama never published them in that form, ultimately releasing them as a single book-length collection. This publication format, along with the fact that the stories in Four Immigrants featured a group of semiautobiographical characters (based on Kiyama and his friends) who grew, evolved and contended with real historical issues and events, has led some to advocate that it be recognized as the first original graphic novel published in America (arriving a decade before Virginia Lee Burton's 1941 Calico the Wonder Horse and nearly two decades before Arnold Drake, [Matt Baker,] and Leslie Waller's 1950 It Rhymes With Lust.

CFP: Anime and Manga Panels, PCA (due November 21)

Posted on behalf of my pal Wendy!

PCA/ACA 2008 National Conference
New Orleans Marriott, New Orleans, LA
April 8-11, 2009
Proposal Deadline: Friday, November 21

This is the national meeting of the Popular Culture Association and the American Culture Association, and this submission is under the area "Asian Popular Culture."

Panel #1: Title: Horror Anime and Manga

This panel invites papers on any aspect of horror anime or manga. Essays may use texts that can be classically defined as "horror" (i.e., ghost stories) and may also explore the use of horror figures (i.e., vampires) in other genres (i.e., shoujo).

Panel #2 Title: Anime and Manga

Open call for papers on any aspect of anime and manga studies. We welcome submissions from a variety of academic and critical approaches.

Submissions should be sent in the form of a 150-250 word abstract, outlining what you would like to present. Include contact information, any audio-visual needs, and a CV.

Submit your abstract by Friday, November 21, 2008, to Wendy Goldberg via email: <wendy.d.goldberg [at] uscga.edu> ; or via snail mail to:

Wendy Goldberg
Dept. of Humanities
United States Coast Guard Academy
27 Mohegan Ave.
New London, CT 06320

CFP: Mechademia 5 - Fanthropologies (Deadline: Jan. 5, 2009)

Above: The cover to Volume 2; see the contents listing for that issue at the Mechademia website. BTW, I love the word "fanthropology."

Call for Papers
Mechademia 5: Fanthropologies
(University of Minnesota Press, forthcoming in 2010)

In recent years, interest in fan communities and fan activities has exploded, and the term otaku has become global currency. Terms like "fan" and "otaku" have been mobilized for a wide range or reasons in a wide variety of discourses, from gender studies to inquiries about technology and sociality. We think that the exploration of fan activities and otaku phenomena is crucial to understanding the contemporary world of transnational image and information flows, as well as the transnational formation of concepts and discourses.

In keeping with our mission to forge links between different communities of knowledge and to challenge the conventional channels for the flow of information, in Mechademia 5, we propose a challenge to the received understandings of fans. We would like to challenge quasi-anthropological and pseudo-sociological readings in which the identity of "fan" or "otaku" is presumed in advance as a fixed object of knowledge. We propose "fanthropologies" not as the anthropology of fans but as an exploration of the challenge that fans present for the imposition of anthropological knowledge and the sociological gaze. To do "fanthropology" is not to do anthropology of fans but to ask what anthropology might be for or to fans.

We thus invite submissions that take seriously the social and historical construction of fans or otaku as an object of knowledge rather than impose it imperiously. We welcome essays that counter the tendency to posit fans as nothing more than a new object for old forms of knowledge. We seek essays about zones of activity as varied as manga and anime fandoms, game and character design, subcultures, emergent communities and microfascisms, connoisseurship, packaging, pop arts and fine arts, to name but a few.

We encourage authors from various backgrounds with diverse interests to write in a variety of formats and from a range of perspectives. These might include textual readings that foreground reader or viewer experience, critical theorizations of fandom, and studies of fan-produced texts, as well as first-person narratives, photo essays, artistic interventions, and other approaches not listed here. We call on contributors not only to write across disciplinary boundaries but also to address readers in allied communities of knowledge.

The submission deadline is January 5, 2009. Submissions may be sent as attachments to submissions @ mechademia.org. Essays should be between 1,000 and 5,000 words and use Chicago style documentation. Authors may include up to five black-and-white images, and additional images or color images may be possible with special permission from the publisher. Further information is available on the Mechademia web site at http://mechademia.org.

WIRED 15.11: Manga, Manga and More Manga

The November 2007 issue of WIRED magazine has a bunch of manga-related content, with on-line extras as well. Here are direct links to what's at the website:

• Japan, Ink: Inside the Manga Industrial Complex
• Manga Does Shakespeare
• How Manga Conquered the U.S., a Graphic Guide to Japan's Coolest Export
• This Is Your Brain on Manga
• Manga 101: Enroll Now
  

Of particular interest is How Manga Conquered the U.S., a ten-page article from the magazine, told using manga itself. The web page offers a flash-enabled version - a bit small, although it does include a "magnify" feature. They also offer a downloadable PDF (1.9 MB), which I find easier to read. Hint: Choose "Facing" page layout from the View menu in Acrobat to see the pages side-by-side. You'll need to jump to the end of the document first, as the article's done in the Japanese right-to-left format. And don't miss Manga 101, an interactive info source on manga, including a timeline, frequently asked questions, a short glossary, and more.

If you're interested in manga, be sure to take a look at the magazine. (I've let my subscription to WIRED lapse, sigh, so I'll need to pick up this issue soon.) And don't forget ComicsResearch.org's own manga information!

(Thanks to this BoingBoing post by Cory Doctorow for pointing out the PDF.)

CFP: Mechademia 4: War/Time (Deadline:January 7, 2008 )

This is a wonderful journal. Be sure to have your library order it!

MECHADEMIA 4: War/Time
Editor: Frenchy Lunning Associate Editors: Thomas LaMarre, Christopher Bolton, Michelle Ollie

Call for Papers

Mechademia is an annual forum published by the University of Minnesota Press, for critical work on anime, manga, and fan arts. We are seeking submissions on topics linked to Japanese and international manga or anime, as well as related material from fields like fashion, film studies, fine art, game design, and global fan culture, among others. We encourage contributions in a variety of formats, by authors from a wide range of backgrounds and fields. Contributors should endeavor to write across disciplinary boundaries, presenting their unique knowledge in all its sophistication, but with a broad audience in mind.

We are currently accepting submissions for Mechademia #4, the theme of which is "War/Time." Possible topics include:

• past and future conflicts
• war and memory
• animated violence and cinematic duration
• millennialism and apocalypse
• manga histories
• heroic archetypes versus real histories
• avatar wars
• etc.

This list is only a beginning: contributors are encouraged to interpret the topic broadly and contribute their own original perspectives. Superior submissions that fall outside the theme may also be considered if space permits.

The submission deadline for volume #4 is January 7, 2008.

Submissions should be approximately 5000 words or less, plus notes. Mechademia uses Chicago style documentation. Files may be sent as attachments to submissions@mechademia.org.

Detailed submission guidelines and further information are available on our web site at http://mechademia.org.

CFP: Classics and Comics (2/5/07; APA, 1/3/08-1/6/08)

The first of several comics-related calls for papers I'll be posting here today...

Classics and Comics
Outreach Panel Session at the American Philological Association
January 3-6, 2008; Chicago, Illinois

Proposals are invited for a special outreach panel on the topic of “Classics and Comics,” to be held at the annual meeting of the American Philological Association (APA) in January 2008. There are many examples of comics appropriating the classics for serious or comic purposes, including Frank Miller's 300, Neil Gaiman's Sandman, Messner-Loebs' Epicurus the Sage, van Lente's Action Philosophers, Shanower's Age of Bronze, Goscinny and Uderzo's /Asterix/ series. Since Classics Illustrated Comics' The Last Days of Pompeii in 1947, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection was cosmetic—as perhaps with Wonder Woman’'s Amazonian heritage —and at times it was almost irrelevant—as with Hercules’ starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of Classics in modern literary culture.

The APA's committee on Outreach is dedicated to promoting a wider understanding and appreciation of Classics – Greek and Roman culture of the ancient world. Each year the Outreach Committee hosts one panel on a topic designed to attract an audience from outside the APA's traditional audience (students and faculty of Classics Departments in North America). This panel is open both to members of the APA and the general public and will be advertised in the Chicago area.

The comic book has been a major element of North American popular culture for over a century and has been increasingly regarded as a legitimate artistic and literary medium. This legitimization has happened on at least two fronts: through the emergence of the 'graphic novel' and through scholar/ practitioners such as Scott McCloud and Will Eisner attempting to define the relationship of the comic book to audience, artist and other artistic media. Yet to date there has been very little work attempting to integrate the medium into a larger understanding of Western artistic and literary culture.

The following is a list of possible topics that contributors might explore, though the organizers invite proposals for exciting and engaged papers that will reveal aspects of comics and their Classical sources from any disciplinary perspective that might be relevant to the overall theme:

• the depiction of myth or ancient history in comics
• visual representations of myth or history in ancient sources and in the comics format
• discussions of any specific use of the Classics in the comics medium
• the transformation of narrative structure between ancient source material and comics
• the appropriation of motif or character typology from Classical literature
• the synthesis of visual art and text in the ancient and modern worlds
• the effect of comics on modern perceptions of Greek and Roman material
• the influence of comics on other artistic media depicting Greek and Roman material
• the legitimization of comics as literature through the use of Classical material
• Classical narratives in Manga
• comparison of comics with other forms of 'low' culture in the ancient world

The organizers are also welcoming the participation of comics writers and artists.

Contingent to the success of the panel, the organizers may wish further to develop and publish the proceedings.

Papers will be 20 minutes in length; use of visuals (through PowerPoint) is expected.

Please forward a 400-word abstract, along with a brief biographical statement or CV, as email attachments in Word or Rich Text Format to both of the organizers:

George Kovacs (george.kovacs_at_utoronto.ca)
C.W. Marshall (toph_at_interchange.ubc.ca)

Further questions may also be addressed to either of the organizers.

Abstracts will be considered beginning February 5, 2007, until the panel is filled. Submissions are encouraged before that date.

Link

CFP: MECHADEMIA 3: Limits of the Human

Mechademia is a new journal, one I'm very much looking forward to reading. It joins our list of academic journals about comic art.

MECHADEMIA 3: Limits of the Human
Editor: Frenchy Lunning
Associate Editors: Thomas LaMarre, Michelle Ollie, Christopher Bolton

Mechademia is a new annual refereed journal from the University of Minnesota Press, a forum for critical work on anime, manga, and fan arts. We are seeking submissions on topics linked to Japanese manga or anime, as well as related material from fields like fashion, film studies, fine art, game design, and American or global fan culture, among others. Mechademia's goal is to promote critical thinking, writing, art, and creative activity that can bridge the current gap between professional, academic, and fan communities and discourses.

To this end, we seek contributions in a variety of formats, by authors from a wide range of backgrounds and fields. Contributors should endeavor to write across disciplinary boundaries, presenting their unique knowledge in all its sophistication, but with a broad audience in mind. Each issue will have a theme that will focus the conversation and connect different pieces, but we encourage contributors to interpret these themes broadly in order to keep the way open for new and original kinds of work. Superior submissions that fall outside the theme may also be considered if space permits.

We are currently accepting submissions for Mechademia #3, the theme of which is "Limits of the Human." This issue will look at the way anime, manga, and related media have probed the contours human identity and activity-by imagining non-human others; by positing breakthroughs in human capability; or by showing us our own limitations as readers and viewers, among many other strategies. Possible topics include cyborg theory; new fan species; animalism and animalization; undead and the occult; speed and distance; phenomenologies and ontologies, etc. And this list is only a beginning: contributors are encouraged to interpret the theme broadly and contribute their own original perspective on the topic.

The submission deadline for issue #3 is January 5, 2007.

Submissions should be approximately 5000 words or less. Mechademia uses Chicago style documentation, though other formats are acceptable at the submission stage. Files may be sent as attachments to submissions at mechademia.org.

Detailed information about the journal's mission and submission procedures is available on our web site at http://mechademia.org.

Manga Head: Hair Product, Manga History (Dessert Topping, Floorwax Still to Come?)

New from Garnier UK: Manga Head, a hair product lets you "create your own superhero hair," as BoingBoing noted today.

The web site for the product contains not only information on seven types of "manga hairstyles" for you to try but also a section called "Manga Story" (subtitled either "What's Manga All About?" or "Why Is Japan So Coooool?" [sic], depending on where you are in the site), done up as a kind of six-page mini-manga. The whole web site's presented in flash, unfortunately, so I hope they keep this curiosity up here.

For maximum fashion potential, of course, you'll want to use Manga Head in conjunction with Nadesicco Black, "inky black [contact] lenses that make [eyes] look like they have gigantic monochromatic pupils" (Wired 13.5).

NB: Manga Head's "Win a Trip to Tokyo" contest is only good for residents of the UK, dangit...