In Our Mailbox - "Graphic Novels Beyond the Basics" and "IJOCA 11.2"

It's a good day here at the ComicsResearch.org offices (okay, office): Today's mail brought two all-new, all-different publications. First up is Graphic Novels Beyond the Basics: Insights and Issues for Libraries, edited by Martha Cornog & Timothy Perper. We'll be adding an info page to our bibliography for this book soon (edit: here it is!), but in the meantime, here's how the publisher's website describes it (handy, because I just walked in the door and haven't had time to begin to read the book yet):

This study of the graphic novel and its growth in the library helps librarians utilize and develop this extraordinarily popular format in their library collections.

One of the few bright spots in 21st century print publishing, graphic novels have moved from their stereotypical fanboy niche to the bestseller list, profoundly influencing movies, television, games, music, design, and fashion along the way. The phenomenon has reached libraries as well, with librarians collecting a variety of graphic novels for patrons of all ages.

What does the surge of popularity in graphic novels mean for libraries? Graphic Novels Beyond the Basics: Insights and Issues for Libraries goes deeper into this subject than any other volume previously published, bringing together a distinguished panel of experts to examine questions librarians may encounter as they work to enhance their graphic novel holdings.

Graphic Novels Beyond the Basics begins by introducing librarians to the world of the graphic novel: popular and critically acclaimed fiction and nonfiction titles; a wide range of genres including Japanese manga and other international favorites; recurring story and character archetypes; and titles created for specific cultural audiences and female readers. The book then offers a series of chapters on key issues librarians will face with graphic novels on the shelves, including processing and retention questions, preservation and retention, collecting related media such as Japanese anime films and video games, potential grounds for patron or parental complaints, the future of graphic novels, and more.

Check out the link above for additional information; we'll update this entry once we have the table of contents on our website. The contents are wide-ranging, covering genres, readers, resources and more, all designed with library collections in mind.

The second publication in today's mail was the International Journal of Comic Art 11.2 (Fall 2009). As always, editor and publisher John Lent has assembled an embarrassment of riches: This issue is more than 500 pages long, begins with a symposium on comics in India, contains almost two dozen additional essays, includes about 70 pages of reviews, and ends with a 14-page international cartoon portfolio. And yes, this is a typical issue.

If your library doesn't already subscribe to IJOCA, do all you can to convince them to. For just $70 per yer, they get three giant-size issues, two traditional issues plus a third, all-bibliography issue - this is a steal compared to almost any other journal. And individual subscriptions are only $45 per year (all three issues). If you're counting along at home, that's about 1,000 pages of content per year, not even including the new bibliography issue (I'm curious to see how massive these volumes will be).

For more information about the International Journal of Comic Art, visit the journal's website and blog.

Happy reading!

New Book: Naissances de la bande dessinée - De William Hogarth à Winsor McCay

This newly published book sounds fascinating! I've reproduced the English version of the book announcement below, but be sure to visit the book's official webpage for the French version, a peek at some pages, and a video narrated by Thierry Smolderen which includes lots of early comics.

Naissances de la bande dessinée
De William Hogarth à
Winsor McCay

Thierry Smolderen

24 x 33 cm / 144 pages
Nombreuses ill. en couleur
ISBN : 978-2-87449-082-8
EAN : 9782874490828
29,50 €
The Many Births of Comics

Around 1900 the American newspapers started publishing a new genre full of humour and action that we have no problems in identifying as the comics. And we also know that this comic strip appeared in the same years as the film and the phonograph. Yet what Thierry Smolderen convincingly demonstrates in this wonderful book is that the origins of this new genre are in fact much older, and that one can only understand the comic strip by linking it to the birth of a totally different genre, that of the modern novel, which appears in England during the the 18th Century. It was the satirical work of the painter and engraver William Hogarth that bridged the gap between image and novel and it was Hogarth who made a seminal contribution to a new narrative environment, enabling totally new forms of interaction between the image and the media of the modern era.

During the 19th Century, the new impulse given by Hogarth did not exceed the limits of a particular group of draughtsmen, the so-called humorist-illustrators who devote their immense visual culture to the mere goals of parody. Fascinated by the world of graffiti, children’s drawings and marginal productions, these artists were the very first to seize the opportunities given by the emerging media, schematized and combined by them in a spirit of irony. Since Rodolphe Töpffer, they also enjoyed themselves by criticizing the representations of the industrial world, which they questioned through their reuse of the naïve past of popular visual narratives. The comic strip will be the future emanation of these first experiments.

The Many Births of Comics proposes a new and fresh vision of what we thought we knew already. The book argues that instead of being a new medium that suddenly emerged at the turn of the century, the comic strip is indebted to a much older culture, that of the image to be read, a culture as old as that of the printed image. Seminal elements such as the speech balloon, the clear line and the visual storytelling are part of a genealogy that is much older and richer than event their authors themselves tended to believe. The initial dialogue of the comic strip with the experimental novel of the 18th Century as well as with the book culture of the romantic era, its long lasting cohabitation with the various kinds of illustrated press, its symbiosis with the world of the film, all these elements make the comics the potential workshop par excellence of today’s images.

Thierry Smolderen
Scriptwriter, theorist and Professor at the European School of Visual Arts, Thierry Smolderen is one of today’s top experts in the history of the comic. He has published numerous articles in French magazines (such as 9e Art) as well as American publications (such as Comic Art). The new theoretical foundations on which his research is based on have allowed him to reveal fascinating documents, which until now were unknown. Among his graphic novel plots, one can point out the imagined biography of McCay (illustrated by J-P. Bramanti, Delcourt publications), and the Ghost Money series (illustrated by D. Bertail, Dargaud publications).

Craig Yoe Talks about Joe Shuster's Fetish Art on Yesterday's "Fresh Air"

On last night's broadcast of "Fresh Air," NPR's Terry Gross interviewed my pal Craig Yoe, author of the new book Secret Identity: The Fetish Art of Superman’s Co-Creator Joe Shuster. I got a peek at the book a few months back at the New York Comic Con, and it looks great! I can't wait to get a copy of my own. Much of this work has laid "undiscovered" for decades; Craig's done a great service by presenting and discussing this work, showing us another side of the artist who's best-known (possibly only known) to the general public for having created, with Jerry Siegel, that obscure comic book character Superman.

Listen to Terry Gross' interview with Craig Yoe here.

I've heard rumblings from a (very) few comics fans who lament the book's existence, saying that it sullies Joe Shuster's memory. I couldn't disagree more; the book adds to our knowledge of Shuster, revealing where his opportunities lay once DC Comics had no more use for his services and showing us how his art "matured" (in more than one sense) after he drew the Man of Steel. I've also heard fans say that the art in this book will "overshadow" his work on Superman. Honestly, could that really happen? Will people now remember only this work and forget his co-creation of Superman? Hardly. Or, to put it another way, it's simply inconceivable.

For more information on the book, check out ComicsResearch.org's feature page for Secret Identity: The Fetish Art of Superman’s co-creator Joe Shuster. We also have info on some of Craig's other books, like Clean Cartoonists' Dirty Drawings and Modern Arf: Artists + Models: The Naked Truth. And no, Craig doesn't just write books with nekkid ladies in them - check out his website for a complete list. Obviously, I need to add - and OWN - the rest of his books!

Addendum: As everyone who's met him or read his book-blog knows, Craig Yoe is one of those shy, retiring types, never one to toot his own horn without painful prodding. I'm not sure who was holding a gun to his head, but somehow he was convinced to create an image promoting his radio appearance:
Very clever, Craig! But I know your secret. You stole - er, appropriated - that face from the original version of your new book's cover.Image credits: Top - cover to Secret Identity, probably Copyright © 2009 Abrams ComicArts. Middle: Copyright © 2009 Craig Yoe. Bottom: A "yoe-toe-shopped" mash-up of the two by moi.

University Press of Mississippi: Website Super Sale (ends July 15, 2009)

University Press of Mississippi, which has published more books about comics than any other academic publisher in the USA, currently is running a large sale for web-only purchases. Not every title is on sale, but a goodly number are, at 20% to 85% Off. The sale ends July 15th.

Luckily for comics scholars, UP Miss provides a breakdown of sale titles by subject. So click here for their list of discounted books on comic art.

Also: Check out UP Miss's blog. (But no tags?!? I will speak to them about this. srsly.)

CFP: History of Books for Children and Young Adults, Bedford UK: April 17; June 16

Note the specific mention of comics and graphic novels.

The History of Books
for Children and Young Adults
University of Bedfordshire, Polhill Campus, Bedford UK
16th June 2009

The University of Bedfordshire is hosting a forthcoming one-day conference on the history of books for children and young adults to be held on the 16th June 2009 at the Polhill Campus, Bedford. The Hockliffe archive comprises works of fiction and non-fiction for children from the eighteenth, nineteenth and early twentieth centuries. These include a wide range of literary genres, from fables and fairy tales, through periodicals and instruction books, to poetry and fiction, as well as books on games and pastimes, natural science, history, mathematics, geography and travel (amongst others).

We do not, however, wish to restrict papers to work on books actually in the collection, although papers on these are of course very welcome, but instead we wish to use the conference as an occasion to celebrate the long and vibrant history of publications aimed at children and young adults, and the increasingly multi-disciplinary areas of research with which this has been associated. We therefore welcome contributions that centre on the following very broad topics and themes:

• Academic approaches to children’s, young adult (YA) and crossover literature.
• The history of children's book illustration, including work on picture books, comics and graphic novels.
• The representation of children and childhood in fiction and non-fiction.
• Multi-disciplinary work in the fields of childhood and youth studies.
• The history of instruction books for children, from bible stories and hymns, through books on history, geography and travel, to natural science and mathematics.
• Children's oral culture, including folklore, myths and legends.
• Pedagogic theory and practice, from ABC books, to postgraduate courses on children’s literature and culture and creative writing for young and YA readers.
• The history of children's play and leisure, including research on toys, games, and sports.
• Multi-media childhoods, including work on the history of children's television, film and computer games.

Please note that proposed papers from postgraduate students are welcome.

The day's proceedings will end with readings by one or more contemporary children's writers (please check the conference website for updates on this).

Other related topics and themes will be considered for inclusion in the conference programme. Please submit a 250 word abstract, accompanied by contact details and a brief biography, to be received by 17th April 2009, to the following address:

The Hockliffe Conference
c/o Dr Clare Walsh
Division of Performing Arts & English
University of Bedfordshire
Polhill Avenue
Bedford
MK41 9EA
Or by email to: hockliffe [at] beds.ac.uk

Superheroes: The Secret Origin of Revisions

Author Peter Coogan has posted this message on the Comics Scholars Discussion List:

I'm looking to get my book, "Superhero: The Secret Origin of a Genre" reissued. If anyone saw any errors in it, could you email? I know I have to correct the number of Sherlock Holmes stories that refer to Moriarty (Thanks to Peter Sanderson for spotting that), but if there's anything else, I'd appreciate knowing about it.

If you have suggestions, you can email him at coomics @ hotmail.com. Check out our own information on Superheroes: The Secret Origin of a Genre here.

Book Review Publication: "The Ten-Cent Plague"

"The Not-So-Untold Story of the Great Comic-Book Scare," my review essay of David Hajdu's recent book The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America, has been published in the May 23rd, 2008 issue of The Chronicle of Higher Education (specifically, in The Chronicle Review, "The Magazine of Ideas"). Unfortunately, you can only read the article if you or your academic institution subscribe to the CHE. Once a sufficient length of time passes, though, I'll be able to post the full text - or a much longer version - here.

It was an honor for this independent scholar (i.e., me) to be invited to contribute to the Chronicle. I've now officially added my voice to Plague's incredibly large chorus of reviewers. Be sure to check out our Ten-Cent Plague information page for more information about the book and its reception.

UP Mississippi Books on Sale

Attention bargain shoppers: The University Press of Mississippi is running a huge sale, with discounts from 40% to 85%. The sale pertains only to selected on-line book purchases, and it ends November 15, 2007.

Click here for the entire list of sale titles. While the list reflects UPM's broad range of publishing interests, ComicsResearch.org readers will be interested especially in these titles:

• Comic Book Culture: Fanboys and True Believers
• Carl Barks: Conversations
• Kewpies and Beyond: The World of Rose O'Neill
• The Lasting of the Mohicans: History of an American Myth
• R. Crumb: Conversations
• Milton Caniff: Conversations
• Mort Walker: Conversations
• Terry Gilliam: Interviews
• The Art of the Funnies: An Aesthetic History
• Accidental Ambassador Gordo: The Comic Strip Art of Gus Arriola

Update (10/15/2007): UPM has long been an enthusiastic supporter of comics scholarship, and we're happy to spotlight their sale. Be sure to check it out! And while you're there, check out their entire list of comics-related books.

Also: You might not be aware that UPM now uses print-on-demand to bring back out-of-print titles. So while they're not part of this sale, you now can stock your library with any of the older and essential titles you might have missed, like M. Thomas Inge's Comics as Culture, Joseph Witek's Comic Books as History, Amy Nyberg's Seal of Approval, and many more.

PS: Don't forget that we include expanded information on nearly all of these books at ComicsResearch.org!

Special Offer: New Book on European Comics

February sees the publication of Dr. Bart Beaty's Unpopular Culture: Transforming the European Comic Book in the 1990s (University of Toronto Press). Here's how the publisher describes it:

In the last fifteen years or so, a wide community of artists working in a variety of western European nations have overturned the dominant traditions of comic book publishing as it has existed since the end of the Second World War. These artists reject both the traditional form and content of comic books (hardcover, full-colour ‘albums’ of humour or adventure stories, generally geared towards children), seeking instead to instill the medium with experimental and avant-garde tendencies commonly associated with the visual arts. Unpopular Culture addresses the transformation of the status of the comic book in Europe since 1990.

Increasingly, comic book artists seek to render a traditionally degraded aspect of popular culture un-popular, transforming it through the adoption of values borrowed from the field of ‘high art.’ The first English-language book to explore these issues, Unpopular Culture represents a challenge to received histories of art and popular culture that downplay significant historical anomalies in favour of more conventional narratives. In tracing the efforts of a large number of artists to disrupt the hegemony of high culture, Bart Beaty raises important questions about cultural value and its place as an important structuring element in contemporary social processes.

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Dr. Beaty is the author of, among other works, Fredric Wertham and the Critique of Mass Culture. We've known each other for quite some time, and he's officially a Friend of ComicsResearch.org. I've been hearing about his work on this book for a while now (while, I must say, quite envying his fieldwork opportunities), so I'm very much looking forward to reading it!

Special offer for ComicsResearch.org readers: Thanks to an offer by Dr. Beaty, you may click here for a PDF file which allows you to purchase Unpopular Culture for 20% off the list price.

Link