CFP: ImageNext (UF conference: Dec. 31; Mar. 26-27)

Just posted to the Comics Scholars Discussion List...

ImageNext:

Visions Past and Future Conference
University of Florida
March 26 and 27, 2010

The University of Florida's College of Liberal Arts and sciences is pleased to announce the 2010 UF Conference on Comics and Graphic Novels, "ImageNext: Visions Past and Future," which will be held in Gainesville, Florida on March 26 and 27. Guest speakers will include UCLA's David Kunzle (The History of the Comic Strip, Father of the Comic Strip: Rodolphe Töpffer), John Porcellino (King Cat), Molly Kiely (Diary of a Dominatrix, That Kind of Girl) and University of Iowa’s Corey Creekmur (Director of the Institute for Cinema and Culture).

This year's conference will focus on "comics" - in their broadest sense, which includes animation, manga, anime, graphic novels, webcomics, political cartoons, and even some "fine art" - that explore human history and alternate histories. Comics discussed may include reimaginings of the past (both personal and cultural), projections of the future and revisions of pre-existing timelines, fictional or historical. Presentations could address comics that represent historical periods and/or genres (i.e. classic comics, steampunk, etc.) or the historical precedents of comics as we now understand them (i.e. political cartoons in nineteenth-century newspapers, narrative paintings, etc.).

Possible topics include but are not limited to:

• comics in/as history (Rodolphe Topffer, George Cruikshank, John Leech)
• comics as cultural records (Maus, Persepolis, contemporary comic strips and political cartoons)
• biographical and autobiographical comics (Julie Doucet, Fun Home, With the Light, Epileptic)
• historically based genres (e.g. steampunk and cyberpunk, (post-)apocalyptic narratives)
• multiverses and alternate continuities (Crisis on Infinite Earths, 52, House of M, Marvel Zombies)
• comic book continuity reboots (Marvel, Ultimate Universe, etc.)
• the visual rhetoric of utopias and dystopias (Y The Last Man, Akira)
• the revision and reimagination of the superhero (Watchmen, Kingdom Come, Marvels, Astro City)
• comic adaptations and appropriations of literature ("Classic Comics," manga Shakespeare, League of Extraordinary Gentlemen)

Submit an abstract (250-400 words) of your presentation by December 31, 2009. Send all submissions and questions to visions@grove.ufl.edu. Please include the words "Comics Conference" in your subject heading.

The conference will be held on the University of Florida campus.

Image credit: Dylan Horrocks, from the UF Comics Conferences website.

CFP: UF 2009 - "Convergences: Comics, Culture and Globalization"

The University of Florida's
College of Liberal Arts and Sciences
is pleased to announce the 2008
UF Conference on Comics and Graphic Novels:
"Convergences:
Comics, Culture and Globalization"
Gainesville, Florida, March 21-22, 2009.

This seventh annual conference on comics will focus on issues of globalization and reception. Comics are, now more than ever, an international phenomenon, but scholarly accounts of comics are often limited by an exclusive focus on examples from a single national or continental comics industry. This problem is exacerbated by the scarcity of translations. Furthermore, one of the many obstacles facing the emergent discipline of comics studies is the difficulty of communication between scholars working in different national and cultural contexts. This conference is intended as a small step toward meeting these challenges. The goal of this conference, therefore, is to consider the history and reception of comics on a global level. We are interested in papers that focus on international comics and animation markets, cross-cultural reception of comics, and the differential status of comics in different cultures (e.g. as a children's / mass medium or as a mainstream form of literature). Here we are using "comics" in its broadest sense, embracing animation, manga, anime, graphic novels, webcomics, political cartoons, and even some "fine art." In addition to theoretically grounded work, we encourage submission of archival and historical research.

Special guests will include Susan Napier (From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West), Jessica Abel (La Perdida), Matt Madden (99 Ways to Tell a Story: Exercises in Style) and Sara Cooper (Founder, MLA Discussion Group on Cuban and Cuban Diaspora Cultural Production).

Possible topics include but are not limited to:

• The reception of comics outside their original cultural context, both by fans (e.g. manga fandom in the United States) and by creators (e.g. American comics' influence on the development of manga and BD, the "nouvelle manga" movement).
• Connections between comics form and cultural status. How have views of the cultural position of comics (e.g. as a children's versus an adult medium or as a mass-cultural versus a literary medium) evolved differently in various cultures? What does this have to do with the formal properties of the medium, such as sequentiality and hybrid image-textuality?
• Comics as a global market: migrations of talent between multiple comics industries (e.g. the Spanish and Filipino "invasions" of British and American comics in the 1960s and 1970s, the Korean influence on U.S. animation) and cross-national collaborations (e.g. mangakas working for Marvel and DC).
• Comics studies as a global discipline. What barriers exist to the study of comics from a global perspective and to collaborations between comics scholars from different cultures? How might such barriers be removed?
• The impact of the internet on the global comics market. How have scanlations and filesharing helped or hindered global comics industries?
• Canon formation and expansion. What happens when works from unfamiliar cultural contexts (e.g. Persepolis and Epileptic) enter a national comics canon?
• Comics and travel/tourism, e.g. in Craig Thompson's Carnet de Voyage.
• Comics and issues of postcolonial identity, e.g. in Abouet & Oubrerie's Aya, Baru's Road to America, Horrocks's Hicksville.
• Translations of comics, both official and unofficial, e.g. scanlation. What are the unique difficulties and advantages of comics translation as opposed to prose translation? What are the unique difficulties and approaches to translating comics from different cultures? How, if at all, do "official" and "unofficial" translators approach comics translations differently?

Abstract submissions should be approximately 250-500 words in length. Presentations will be 15 minutes with 5 minutes of question and answer.

The deadline for abstract submissions is December 1, 2008. Abstracts or questions should be submitted to Aaron Kashtan at akashtan[at]english.ufl.edu or Tania Darlington at tdarlington1[at]ufl.edu. See the conference website for schedules and additional information: http://global.comic-studies.org.

CFP: Comics Conference on Sex, Gender, and Sexuality (University of Florida, 3/21-22/2008)

Just announced, and highly recommended:

The University of Florida's College of Liberal Arts and Sciences is pleased to announce the 2008 UF Conference on Comics and Graphic Novels: "ImageSexT: Intersections of Sex, Gender, and Sexuality," which will be held in Gainesville, Florida, on March 21-22, 2008.

The sixth annual conference on comics will focus on issues of representation in the most literal sense: that of the image on the page (screen, monitor, etc.). We are interested in papers that move beyond facile reiterations of identity politics to explore the complexities and complexes of bodies and desires for artists, writers, and readers of comics. Here we are using "comics" in its broadest sense, to include animation, manga, anime, graphic novels, webcomics, political cartoons, and even some "fine art." Theoretically grounded work is preferred, but we also have an interest in archival, historical, and creative papers. The goal of this conference is to encourage interdisciplinary discussion incorporating diverse approaches to the comics representation of sex, gender, and sexuality.

Confirmed guests for this year include Phoebe Gloeckner (Diary of a Young Girl) and Gail Simone (Birds of Prey, Wonder Woman); invited guests include Jaime Hernandez (Love and Rockets).

Possible topics include but are not limited to:

• Autobiographical and authorial issues of sex and gender in comics, including issues of veiled autobiography, writing across gender lines, collaboration, and adaptation (Stuck Rubber Baby, Fun Home, The Authority, Fritz the Cat)
• Archival/historical work on depictions of the body, intercourse and identity including persistence and/or revision of stereotypes (Tijuana Bibles, Charles Atlas ads, homosexuality in early animation, Air Pirates Funnies)
• Who's drawing my body? Self- and Other-representations and culture wars (Goth comics, Superhero[ine] physiques, Dirty Plotte)
• Fans turn Pro (and vice versa): sex and gender issues at the boundary between and in the transition from fandom to professional comics (letters pages, undergrounds, fanzines, weblogs, fanfic, slash and doujinshi origins)
• Indeterminacy, including queer readings, secret identities, and the act of passing in and through comics (How Loathsome, Death Note, Black Hole, The Book of Lost Souls)
• "How ethics spoiled my pleasure": including how female fans read and enter comics, our implication in – and pleasure from – objectification, and the comic as part of a cultural circuit of capital and power (Girl-Wonder.org, Women in Refrigerators, Sequential Tart)
• The comic book fetish, including the materiality of the comic, the pleasure of reading, and "slabbing"
• The perversity of children's narratives (Strawberry Panic, Hikaru no Go, Lost Girls, Diary of a Young Girl)
• Politics and sex, including political allegory in comics, metaphors of otherness, and sex and censorship (V for Vendetta, Y the Last Man, Alias, Superfly)
• Representation and its necessary problems, from signifying male- or femaleness to figuring sex and desire, through drawings of bodies and acts, or depicting intimacy and pleasure (Diary of A Dominatrix, Clumsy, Playboy comics, [non-] explicit animation)
• International issues, including trade and censorship, translations, and taboos (scanlations, fansubbing, "official" translations, cross-cultural marketing and audiences)

Abstract submissions should be approximately 250-500 words in length. Presentations will be 15 minutes with 5 minutes of question and answer. The deadline for abstract submissions is December 1, 2007.

Image: UG Graphic Novel Conferences header, by Dylan Horrocks.

2007 UF Conference on Comics - "World Building: Seriality and History"

Yesterday I received the call for papers for The University of Florida's 2007 Conference on Comics, so I thought I'd post it here. This will be the fifth comics conference hosted at UF; you can find information on previous years here. I had the pleasure of attending 2003's "Underground(s)" conference, so I know that attendees will learn quite a lot from both the scholars and the cartoonist-guests.

Here's the Call for Papers:

The University of Florida's College of Liberal Arts and Sciences and the Department of English are pleased to announce the 2007 UF Conference on Comics: "World Building: Seriality and History," which will be held in Gainesville, Florida, on March 3-4, 2007, in conjunction with the annual Game and Digital Media Studies Conference, which will be March 1-2.

This fifth annual conference on comics will focus on the construction of narrative worlds in comics, with particular emphasis on the various temporalities of the medium. We are especially interested in the ways temporality informs the status of comics as a serial medium (both in terms of serial publication as well as the serialization of time within the page) and the ways temporality relates to the representation of history and memory within the narrative. This could be in terms of personal and social history, as in Maus and Persepolis, or in terms of internal narrative histories like superhero retcons and crossovers.

Our keynote speakers for this year include Jeff Smith (Bone), Bryan Talbot (The Tale of One Bad Rat, The Adventures of Luther Arkwright), Dylan Horrocks (Hicksville), and Gail Simone (Birds of Prey, Action Comics).

We also encourage submissions that cross over with the Game and Digital Media Studies conference, on the topic of "World Building: Space and Community," particularly those that consider the role of time and space across multiple media. We will also consider two-part submissions on related topics to be presented across the two conferences, and other proposals that push the formal constraints of a conference presentation.

Abstract submissions should be approximately 250-500 words in length. Presentations will be 15 minutes with 5 minutes of question and answer.

The deadline for abstract submissions is January 1st, 2007. Abstracts should be submitted via our online conference system, which is on the conference website at http://www.english.ufl.edu/worlds . Please direct all questions to sandifer@english.ufl.edu.

For a list of possible topics, please see the on-line call for papers. Actually, I've been kicking around some thoughts on this very topic lately; hmmmm. Maybe I'll see you there!

Image credit: World Building website.