CFP: ImageTexT issue on Alan Moore and adaptation (journal issue; April 1, 2010)

So today was the day for Alan Moore scholars, apparently...

CFP:
ImageTexT
Alan Moore and Adaptation

ImageTexT is pleased to announce an upcoming special issue on the work of Alan Moore and adaptation. Throughout his career, Moore has displayed a willingness to adapt and appropriate the plots, characters, settings, and themes from traditional narratives and the works of other authors into his own writing. Additionally, Moore's work itself continues to be the focus of adaptation, typically in the form of big-budget Hollywood films. We are seeking articles that deal with the work of Alan Moore and adaptation in any and every sense, whether that means analyzing the transitions of comics like Watchmen and V for Vendetta into film or analyzing the incorporation of folk tale and literature elements in works like Lost Girls and The League of Extraordinary Gentlemen.

Possible topics may include but are not limited to:

• Problems in adaptation and appropriation of existing characters and elements
• Formal analysis of comics as the medium for adaptation
• Issues concerning film adaptations where the author is not involved (which Moore rarely is)
• Concern with (or disdain for) historical fidelity when dealing with stories from a specific era
• Moore’s collaborations with various artists and their effect on adaptation
• Characters and narratives supposedly reserved for children which are adapted into explicitly adult stories

As ImageTexT is concerned with the formal study of image/text relations, we are most interested in submissions that give significant attention to how images function in relationship to text. We strongly prefer to receive submissions that make reference to specific images and include high-resolution artwork along with text. Throughout his career, Moore’s work has been resolutely bold and we encourage prospective contributors to be similarly daring with their ideas and analysis.

All submissions for this special issue are due April 1st, 2010. Send all submissions to Rex Krueger at rkrueger@ufl.edu and CC them to Katherine Shaeffer at KHShaeffer@gmail.com.

Submissions will be peer-reviewed and returned by June 1, 2010.

This issue is slated for publication in the Spring of 2011.

ImageTexT is a web-based journal published by the University of Florida, committed to advancing the academic study of comic books, comic strips, and animated cartoons. Under the guidance of an editorial board of scholars from a variety of disciplines, ImageTexT publishes solicited and peer-reviewed papers that investigate the material, historical, theoretical, and cultural implications of visual textuality. ImageTexT welcomes essays emphasizing (but not limited to) the aesthetics, cognition, production, reception, distribution and dissemination of comics and other media as they relate to comics, along with translations of previously existing research on comics as dimensions of visual culture.

CFP: Magus: Transdisciplinary Approaches to the Work of Alan Moore (Dec 4; May 28-29)

Magus:
Transdisciplinary Approaches
to the Work of Alan Moore
28th and 29th May 2010
Avenue Campus, The University of Northampton
United Kingdom

Alan Moore has consistently been at the forefront of the graphic novel medium for almost thirty years, being the iconic figure behind such pioneering works as Marvelman and V for Vendetta, the revolutionary Watchmen, to From Hell, Promethea and, most recently, Lost Girls to name but a few. Alongside his work in the comic medium he has written one novel, Voices from the Fire [sic], and is subsequently working on the ambitious Jerusalem project. He has also worked as a graphic artist, performed and recorded a series of musical collaborations largely related to site-specific events, and in recent years has become a magician.

While Moore’s contribution to the comic medium is undisputed, academic appraisals of his work have been fragmentary and there have been no dedicated scholarly events to date that seek to give an overview of his oeuvre. As such The University of Northampton is pleased to announce Magus: Transdisciplinary Approaches to the Work of Alan Moore, an interdisciplinary conference that will bring together not only appraisals of Moore’s comic works, but also his wider cultural manifestations and their significance at the start of the 21st century. Given his burgeoning literary and cultural importance, Moore’s significant profile in the wake of several recent Hollywood adaptations of his work (despite his own antipathy towards those adaptations and their place within the culture industries), and the relationship to Northampton’s cultural landscape (both physical and psychic) that recurs throughout his work, both the time and location are fitting for a dedicated appraisal of his cultural legacy thus far.

The review panel are seeking papers for the conference, or proposals for potential panels on a particular subject. We invite presentations from the perspective of any discipline; literary studies, cultural studies, film studies, art, philosophy, linguistics, politics, sociology and others.

Potential topics for papers or panels might include, but are not restricted to:

• Comic revisionism and the graphic novel
• Comics and literature
• The political philosophy of Moore’s canon
• Moore’s relationship to the mainstream comic industry
• Adaptations of Moore’s work to screen and other media
• Psychogeography and place in Moore’s work
• Magick and spirituality
• Site-specific events
• Pornography and erotica in Moore’s work
• Fandom and reception
• The underground press
• Collaborations and networks
• Music and musical collaborations
• Intertextuality and referentiality

We are pleased to announce that the keynote speech will be given by Paul Gravett, author of Great British Comics, Cult Fiction: Art and Comics, Graphic Novels: Everything you Need to Know and a lynchpin of the British comics scene.

Abstracts of no more than 300 words, accompanied by a short biography of no more than 100 words should be submitted to the conference review panel by 4th December 2009.

For more information on the conference or to submit an abstract email Nathan Wiseman-Trowse at nathan.wiseman-trowse@northampton.ac.uk.

Full details of registration, plenary speakers and accommodation will be announced shortly.

Dr Nathan Wiseman-Trowse
Senior Lecturer in Popular Culture
The School of the Arts
The University of Northampton
Avenue Campus
St George’s Avenue
Northampton
NN2 6JD
United Kingdom

CFP: Love and Sex in the Films and Graphic Novels of Alan Moore (11/1/09; 11/11-14/10)

Thanks to Charles Hatfield for the tip!

Call for Papers
Love and Sex in
the Films and Graphic Novels
of Alan Moore
2010 Film & History Conference:
Representations of Love in Film and Television
November 11-14, 2010
Hyatt Regency Milwaukee
www.uwosh.edu/filmandhistory
Second Round Deadline: November 1, 2009

Alan Moore has a love-hate relationship with the film industry, yet films based on his work proliferate: From Hell (2001), V for Vendetta (2005), The League of Extraordinary Gentlemen (2003), and Watchmen (2009). Sex and (possibly) love abound in Moore's novels and in the films grounded, to some extent, in his writing. In V for Vendetta, Moore juxtaposes the love of the computerized state with the more transient love of men and women. In V for Vendetta, The League of Extraordinary Gentlemen, and Watchmen, he poses difficult questions about the nature of (super)heroic love for others, and for democracy, nation, and empire. Throughout his work, Moore is attuned to issues of representation, and to how representation demarcates the reality of those who are "loved."

Moore may be the exemplary postmodern graphic novelist, and "his" films are well worth considering for what they say about our particular historical moment, and in *this* particular moment, what they say about various manifestations of love.

This area is open to any paper or panel proposal which examines the representation of love, sex, and ethical relations in any work influenced by, or authored by Moore. Possible topics might include:

• Anarchy as love
• Love, sex, and postcoloniality
• Victorian love
• Postmodern pastiche as a form of love-making
• Love in (loving) the state--fascist love
• Love and the body
• Love in adaptation
• Representing love in film versus sequential art
• Representation and the limits of love
• Loving one another: Thomas Pynchon and Alan Moore
• Freedom as love
• God and (as?) love
• Exposure as love
• Inoperative communities and love

Please send your 200-word proposal by email to the area chair:

Todd Comer, Area Chair
Defiance College
701 North Clinton Street
Defiance OH 43512
Email: tcomer@defiance.edu (email submissions preferred)

Panel proposals for up to four presenters are also welcome, but each presenter must submit his or her own paper proposal. For updates and registration information about the upcoming meeting, see the Film & History website (www.uwosh.edu/filmandhistory).

CFP: Alan Moore and the Gothic Tradition (edited collection; Sept. 25)

Posted on behalf of Dr. Matt Green.

Call for Abstracts
Edited Collection:
Alan Moore
and the Gothic Tradition

While Alan Moore's work continues to receive acclaim from within the comics industry and in the media more widely, it remains under-represented within academic research. This edited collection will draw together current scholarly investigations of Moore and his collaborators, paying particular attention to the way in which Moore adapts, appropriates and otherwise responds to previous works from the Gothic tradition. Far from a unified or stable legacy, the Gothic is itself characterised by multiplicity and heterogeneity. For this reason, an examination of the particular ways in which Moore responds to this portion of his cultural inheritance can be expected not only to shed light upon particular aspects of the tradition more broadly, but also to yield insight into the interpretative and artistic decisions embedded in his work.

That Moore's work can be situated in relation to this tradition is evident both in the range of Gothic elements (monsters, demons, supernatural powers, plots motivated by questions of violence and oppression) present at the narrative level in his work, and, at a formal level, in the ways in which Moore and his collaborators draw on artistic techniques and forms from a range of Gothic media. The underlying premise of the collection is that Moore, and the artists with whom he works, engage in a process of dialogue with a diverse array of source material. Accordingly, the collection will address two interrelated topics: how an understanding of the Gothic can enhance our understanding of Moore's work and, conversely, the ways in which the ideas and reading practices engendered by Moore's work might impact on a reflexive analysis of one or more of the traditions out of which it emerges.

Though it is anticipated that the majority of papers will concentrate on the comics, the area in which Moore is most prolific and for which he is best known, this should not deter proposals to examine his work in other media (spoken word/audio recordings, prose fiction, etc).

Papers on any aspect of the relationship between Moore and the Gothic are invited, including, but not limited to, the following areas of enquiry:

• Representations of monstrosity
• The supernatural and/or superhuman
• Violence and terror
• The Sublime
• Sexuality
• Gothic technologies
• Psychology, geography and/or the environment
• Degeneration
• Hybridity
• The double
• Gothic romanticisms
• Magic and the occult
• Trauma
• Taboo
• The uncanny
• Crisis and catastrophe
• Dystopia
• Oppression and/or repression
• The Gothic and sci-fi or detective fiction

Abstracts should be approximately 500 words and should be emailed to Dr. Matt Green (matt.green@nottingham.ac.uk) on or before Friday, September 25, 2009.

Image and credit: Alan Moore avoids confronting his own astral projection at "A Tribute to Robert Anton Wilson" in 2007. Photo by ACB; remix by Gene Kannenberg, Jr.