Now We Are (Not) Six
Sure, some parts might appear a little too kitschy or mod by today's standards, but the series -- concerning a secret agent (man?) who retires, only to wake up in an incomprehensible apparent utopia called "The Village" -- is a riveting thirteen-episode examination of intrigue, intensity, and nigh-intolerable suspense.
Questions abound: Why is everyone referred to only by number not name, and why is the main character referred to as "Number Six"? Which side (or what?) do the succession of "Number Twos" work for, as they attempt again and again to break Number Six's spirit in order to discover why he resigned? Will Six ultimately succumb, or will he endure and discover the identity of the never-seen "Number One"? How on earth did McGoohan get the rights to The Beatles' "All You Need Is Love" for the final episode?
We pause now for this message from The Times:
Now, back to our show:
The final two episodes, btw, are perhaps the most riveting 90mins of television I ever have seen. And that final episode is brilliant, both meeting and disappointing viewers' expectations.
But what does this have to do with comic? Not having gone to the San Diego Comic Con myself, I didn't hear about Marvel Comics' tie-in book until today. AMC has a copy of the eight-pager (no, not that kind) available as a PDF for download. As are most teasers of this sort, it's short on plot, but it sets that stage pretty well for what's to come. Yes, there seem to have been some changes, but from the little we see here, so far there's nothing to make me apoplectic. But time -- if not Two -- will tell.
Be seeing you.
Labels: adaptation, Marvel Comics, previews, The Prisoner