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Comic Art in Scholarly Writing
A Citation Guide
by
Allen Ellis
Chair, Comics Citations Committee
Comic Art and Comics Area
, Popular Culture Association
Associate Professor of Library Services
W. Frank Steely Library
Northern Kentucky University
Highland Heights, KY 41099-6101
606-572-5527 / Fax: 606-572-5390
E-mail: ellisa@nku.edu
Introduction
The serious scholarly analysis of comic art (or as the Library
of Congress says, "Comic Books, Strips, etc.") has grown at a significant
rate in recent years. Witness the articles in journals such as the Journal
of Popular Culture and the late, lamented INKS: Cartoon and Comic
Art Studies, as well as the tremendous growth of papers delivered at
the Popular Culture Association/American Culture Association and Modern
Language Association conferences. All of these are indications that we
are on the threshold of a New Age of academic inquiry into the comic medium.
This maturation of comics scholarship requires attention in
an area heretofore neglected. Bibliographic citation, one of the hallmarks
of scholarly writing, becomes problematic when dealing with comic art. Comic
books are particularly troublesome, as they incorporate aspects of both
books and periodicals. Established citation manuals do not allow for the
bibliographic uniqueness comics represent. Further, while established style
guides may maintain that their primary aim is to establish credit, the primary
aim of comic art citation is to provide location information: assisting
those who wish to track down the cited source. Credit, if only because of
its potentially convoluted complexity, is secondary. The Comic Art and Comics
area of the Popular Culture Association, having recognized and wrestled
with these concerns for several years, has established the following criteria
for citing comic art.
Acknowledgements
This process grew from a paper given at the 1995 Popular Culture
Association conference in Philadelphia, by Thomas Alan Holmes of Knoxville,
Tennessee: "Citation and Comics: Difficulties from Grid One." Subsequent
gatherings of the PCA, and concomitant committees and attempted committees
have addressed the issues, and what follows is the result of consultation
with a large number of people. Several, however, bear mentioning: Gene Kannenberg,
Jr. of the University of Connecticut, Lucy Shelton Caswell of Ohio State
University, Jeff Williams of Texas Tech University, Chuck Huber of University
of California Santa Barbara, Julie Ratliff of Indiana University of Pennsylvania,
Rebecca Sutherland Borah of Wilkes University, Doug Highsmith of California
State University, Fullerton, Roger C. Adams of Northern Kentucky University,
and John A. Lent of Temple University. Special consideration goes to Amy
Kiste Nyberg of Seton Hall University, the area chair for the Comic Art
and Comics area of the Popular Culture Association, and of course, Thomas
Alan Holmes of East Tennessee State University. A nod also goes to Randall
W. Scott, cataloger for the Comic Art Collection at the Michigan State University
Libraries, whose Comics Librarianship: A Handbook (Jefferson, NC:
McFarland, 1990) is a vital tool. Recommended also is the premier bibliographic
reference for comic books, the annual Overstreet Comic Book Price Guide
.
The Style Guide
I. Comic Books
This citation guide leans toward the style of the MLA
Handbook for Writers of Research Papers. Hopefully, however, the guidelines
can be adapted for other style manuals. Of basic importance is that the
citation of comic books for scholarly writing should incorporate four basic
elements, as appropriate: writer, artist, story title, and publication information
(including, as appropriate, publication title, volume, issue number, date,
publisher, page, and panel).
A Note About Bracketed Information
This style guide suggests that scholars may include original
material (i.e., information not taken from the publication) within square
brackets ([ ]). All information originating from the scholar rather than
the source should be included in square brackets. This is information
provided as a courtesy from one scholar to another, and ideally should not
cross the line from scholarly detail to fanboy trivia. Such information
may more appropriately appear within the text or notes, but examples are
offered throughout this document. Note that example 16
relies heavily on bracketed information.
- Writer
The creation of a comic book is typically a collaborative
effort, and comic book authorship, much like motion picture authorship,
can be a complex issue. For the sake of simplicity, scholars should give
first credit to a story's author as credited within the work (usually in
a designated credit spot on or near the book's first page).
The comic book story's writer's name appears first:
last name, the first name and initials if applicable, followed by a lower-case
"w" in parentheses. If there are second or third writers, they follow with
first then last name. If there are more than three writers, et al.
follows. If the author is unstated, then the word "Uncredited" in parenthesis
is used instead of the name (see examples 5
and 10
). If the scholar knows who the uncredited author is, then that name is
provided in square brackets (see example 1
). The same rule holds with pseudonyms.
In known or supposed solo work, the writer/artist's
name stands alone (see examples 7
,13
, 14
, and 15
).
Artist
The major contributors to the visual aspects of
comic books are the penciller and the inker, who are usually identified
as such and in that order. The same rules as stated under writer above will
apply to the penciller (p) and inker (i).
The work of editors and such craftspersons as
letterers and colorists are, of course, vital to the finished product, but,
recognizing that one must stop somewhere, and that our aim is location over
credit, we stop with the inker.
If citing an uncredited artist, whether penciller
or inker, or if the artistic duties are not spelled out, the artist(s) may
be credited with a parenthetical "a" for artist: (a) (see example
11
).
Story Title
The title of the story should be taken from
the inside title page, typically where the credits appear, and placed within
quotation marks. The title is usually found within the first three pages.
As established, untitled stories should be so designated. If no interior
title is found, a cover title, if present, may be used.
If the cited story features a character
not reflected in the publication title, such as a feature in an anthology,
the character's name can appear before the story title, offset by a colon
(see example 5
).
It is not unusual for reprinted stories
to be in some ways altered. Reprints should therefore be regarded as separate
entities, and there is no need to cite the original source of the reprint
within the citation (see examples 2
and 3
). If the scholar chooses do indicate the original source of a reprint,
it is preferable to do so within the text or notes.
Publication Information
4a. Publication Title
The title of the comic book should
be taken not from the cover but from the indicia (the small print usually
found at the bottom of the first page or the inside front cover). A major
goal of a comic book cover is to sell the comic book, not to provide bibliographic
information. The indicia are the publisher's official identifying information.
the publication title should be underlined or highlighted as appropriate.
If indicia are not found, the title may be taken from the cover, and so
indicated in square brackets.
4b. Volume
Rarely is a volume number included
within the indicia. If it is there, use it, preceded by a lower-case "v."
See examples 6
, 7
, and 8
.
4c. Issue number
Issue number is vitally important.
To avoid confusion with other numbers and established style guides, place
the number symbol (#) before the number. Use the indicia, not the cover,
for number information.
4d. Date
The date, from the indicia, should
include the month, abbreviated, (or season, if a quarterly is so identified)
and year, and be presented within parentheses.
4e. Publisher
This is where the comic book
citation most significantly differs from a standard periodical citation.
This information must be present since comics are often categorized by publisher,
and since a character may vary from publisher to publisher (e.g., Lee Falk's
The Phantom, which has
been published by at least six publishers). The style of a particular publisher
may also have considerable bearing on how a work is presented.
Publisher information should
come from the indicia. Sometimes the "official" publisher name may differ
from the publisher's popular name. Marvel, for example, has been an imprint
of several publishing concerns. In such cases, the scholar may insert the
popular name of the publisher within square brackets (Animated Timely Features
[Marvel Comics]).
4f. Page
Page numbers are offset
by the date with a colon. Page numbers are usually provided within the publication.
If not, pages may be counted off using the splash page as page one, then
the number included in square brackets.
Features within anthologies
may have separate pagination. If possible both paginations should be reflected.
Pagination for the publication comes first, with pagination from the feature
following in parentheses (see example 5
).
4g. Panel
If the scholar specifies
a panel, it is preferable to do so in the text. If adherence to a particular
style manual prohibits this, include the panel number(s) with the page number,
separated by a forward slash (/). For example, "4/3-5" is read as "page
four, panels three through five." See also example 13
.
Panels should be
identified by counting left to right, top to bottom.
II. Comic
Strips: Examples 13
and 14
The procedure for
identifying comic strips should, as possible, follow the format described
for comic books, except that dates needn't be in parentheses. Comic strip
titles should be highlighted in the fashion described for publication title,
above. The syndicate should be identified in place of the publisher. Exact
newspaper information is important in that it is not unheard of for local
editors to alter or replace strips as they deem necessary to conform to
community standards.
III. Editorial
Cartoons: Example 15
Editorial cartoons
should be cited with the writer/artist's name, then the running title, if
there is such (e.g., Borgman's World), underlined. Following as the
title is the caption, or enough word balloon information for proper identification.
Newspaper title, location, date and page complete the citation. If, to better
identify a cartoon, the scholar supplies a caption, it should be bracketed.
IV. Graphic
Novels, etc
The credit
rules preceding, combined with established book citation format, should
suffice. See the "collected edition" in example 6
.
Comic Art
Citation Examples
Note on HTML version of this document. Standard MLA format dictates
that bibliographic enties (such as those below) be formatted with hanging
paragraphs (i.e., the second and subsequent lines of an entry should be indented
one-half inch from the margin). To ensure that this information's content
is consistent across all browsers, we have left these examples left-justified;
remember to format your bibliography according to your style guide. (For
questions, contact Gene Kannenberg
.)
- Standard Citation
[Fox, Gardner
F. (w), Mike Sekowsky (p), and Bernard Sachs (i).] "The Wheel of Misfortune."
Justice League of America #6 (Aug.-Sep. 1961), National Comics
Publications [DC Comics].
- Same, in Reprint Periodical (in dual publication)
Note:
Besides providing a reprint citation, this example shows a rare occurrence
of dual numbering. In the mid-‘60s-‘70s, DC Comics published periodic special
giant-size issues of specific titles. These appeared within the numbering
of the given series, and also as issues of the giant series, 80 Page
Giant. Thus, in this example, Justice League of America. #58
is also 80 Pg. Giant. #4. The 80 Page Giant information is
contained within braces ({}).
Fox, Gardner
(w), Mike Sekowsky (p), and Bernard Sachs (i). "The Wheel of Misfortune"
[abridged]. Justice League of America #58 {80 Pg. Giant
#4} (Nov.-Dec. 1967), National Periodical Publications [DC Comics]:
30-50.
-
Same, in Edited Anthology
[Fox, Gardner
F. (w), Mike Sekowsky (p), and Bernard Sachs (i).] "The Wheel of Misfortune."
Justice League of America Archives, vol. 1. Eds. Michael Charles
Hill and Bob Kahan. NY: DC Comics, 1992: 230-256.
-
Same, Citing Cover Only
[Sekowsky,
Mike (p), and Murphy Anderson (i).] "The Wheel of Misfortune." Justice
League of America #6 (Aug.-Sep. 1961), National Comics Publications
[DC Comics]: Cover.
-
Feature in an Anthology
Note
that this is a six page story appearing on pages 31-36 of the cited issue.
[Uncredited]
(w), and Josephs, Stan (a). Mr. Terrific: "Give ‘Em the Bird." Sensation
Comics #61 (Jan. 1947), J.R. Publishing Co. [DC Comics]: [31-36],
(1-6).
-
Multi-Issue Story
Larsen,
Erik (w,p,i). "Revenge of the Sinister Six." Spider-Man v1 #18-23
(Jan.-Jun. 1992), Marvel Comics.
A note
on multi-issue stories. Stories continued throughout several publications
can be maddening for the bibliographer. Consider this story citation:
Grant, Alan,
Chuck Dixon, Dennis O'Neil, et al. (w), Giarrano, Vince, Tommy Lee Edwards,
Mike Wieringo, et al. (p), and McCarthy, Ray, Scott Hanna, Stan
Woch, et al. (i). "Contagion." Pt. 1, Batman: Shadow of the Bat
#48 (Mar. 1996), DC Comics; Pt. 2, Detective Comics #695 (Mar. 1996),
DC Comics; Pt. 3, Robin #27 (Late Mar. 1996), DC Comics;
Pt. 4, [mislabeled part 5 on cover]: Catwoman #31 (Late Mar.
1996), DC Comics; Pt. 5, [mislabeled part 4 on cover]: Azrael #15
(Late Mar. 1996), DC Comics; Pt. 6, Batman #529 (Apr. 1996),
DC Comics; Pt. 7, Batman: Shadow of the Bat #49 (Apr. 1996), DC Comics;
Pt. 8, Detective Comics #696 (Apr. 1996), DC Comics; Pt.
9, Catwoman #32 (Apr. 1996), DC Comics; Pt. 10, Azrael
#16 (Apr. 1996), DC Comics; Pt. 11, Robin #28 (Apr. 1996), DC Comics.
If possible
try to use the collected edition:
Dixon, Chuck,
Alan Grant, Dennis O'Neil, et al. (w), Giarrano, Vince, Dick Giordano, Barry
Kitson, et al. (p), and Woch, Stan, Scott Hanna, Ray McCarthy (i).
Batman:
Contagion. Ed. Bob Kahan. NY: DC Comics, 1996.
-
Specific Chapter of Multi-Issue Story
Larsen,
Erik "Showdown." Spider-Man v1 #20 (Mar. 1992). Part 3 [of 6], "Revenge
of the Sinister Six." v1 #18-#23 (Jan.-Jun. 1992), Marvel Comics.
- Column
Mullaney,
Jan, and Dean Mullaney. "Notes from Surf City" [column]. Crossfire
v1 #3 (Jul. 1984) Eclipse Enterprises: [29].
- Special/Promotional Publication
Wolfman,
Marv (w), George Perez (p), and Dick Giordano (i). "Plague." The New Teen
Titans n.n. 1983, DC Comics [Presented by Keebler Company in
Cooperation with the President's Drug Awareness Campaign].
-
Inadequate Indicia Information
Note:
In this example, the information from the indicia is misleading. This is
not issue number 639 of Walt Disney's Davy Crockett at the Alamo,
but actually issue number 639 of Four Color, as identified by the
annual Overstreet's Comic Book Price Guide.
[Uncredited].
Walt Disney's
Davy Crockett at the Alamo [Four Color] #639 ([Jul.] 1955), Dell
Publishing Co.
-
Adaptation - Original Credited
[Uncredited]
(w), and [Manning, Russ (a)]. "Tarzan the Untamed." Adapted from Edgar Rice
Burroughs' "Tarzan the Untamed. "Edgar Rice Burroughs Tarzan
of the Apes #163 (Jan. 1967), K.K. Publications [Gold Key Comics].
-
Adaptation - Original Not Credited
Thomas,
Roy (w), John Buscema [p], Rudy Mesina [i]. "Tarzan Rescues the Moon." [adapted
from Edgar Rice Burroughs' Jungle Tales of Tarzan]. Tarzan
v1 #7 (Dec.1977), Marvel Comics Group.
-
Comic Strip Citation, with Panel Indicated
Adams, Scott.
Dilbert.
The Cincinnati Post (Cincinnati, OH). 14 Apr. 1998, United Feature
Syndicate: 6D/3.
-
Comic Strip Citation -- Comics Supplement
Caniff,
Milton. Steve Canyon. Journal Herald (Dayton, OH). 15 July
1967 [Color Comics Supplement], Publishers Newspaper Syndicate:
1.
-
Editorial Cartoon Citation
Ramirez,
Michael. Michael Ramirez, "On the Bright Side, We Have Plenty of Condoms..."
Los Angeles
Times. 21 May 1998: B9.
Peters,
Mike. "Nixon's at It Again." Journal Herald (Dayton, OH). 15 July
1981:1A8.
-
Nontraditional Format
[Chick,
Jack T. (w,a?)] Holy Joe. Chino, CA: Chick Publications. 1972 [2 3/4"
X 5" pamphlet. 1-21].
Daley, Diddle.
The Katzenjammer
Kids in "Shipwrecked." [A "Tijuana Bible," no publication information,
2 5/8" X 4 ¼" pamphlet].
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